We just finished Mc Donalds “Spaceman Stu” for Leo Burnett via Duck Studios.
“Spaceman Stu”
August 12th, 2010Kompost’s biodegradable G-OIL commercial released….
April 22nd, 2010Directing collective Kompost, working via DUCK Studios, created a visually explosive spot for Green Earth Technology’s G-Oil, a brand of sustainable petroleum. Working via Grey, director Oliver Conrad and EP Gian Klainguti led a VFX team that manufactured a remarkable fast-paced world simulating the impact and durability of the biodegradable high-performance oil made from renewable bio-based sources.
Cine Trans Europe – Screening in Paris # 2
March 29th, 2010Steve Armor Director at the eXperience Amsterdam Festival just informed us that our music video for Krussia will be shown at the Cine Trans Europe edition during the Signes de Nuit Festival in Paris.
Guests: Cine TRANS EUROPE
05 - 06 April 2010
CINE TRANS EUROPE is the name of the one of a kind partnership between five festival, which resist to a cinema which keeps repeating the same kind of emotions and concepts, incapable to stop with dominating and reductive interpretations. This collaboration, started in April 2009, continues in Paris and in all the other partner festivals: Barcelona, Amsterdam, de Cork and Osnabrück.
If you happen to be in Paris on the 4th and 5th of April don’t miss the screening!
For more information please visit:
http://www.signesdenuit.com/paris/P8/ci_tr_eu_Amst_E.htm
Thanks Steve for the support!
LOW TECH versus HIGH TECH- Screening in Paris!
March 21st, 2010Independent Curator Charlotte Leouzon organized a screening last Friday in Paris:
LOW TECH versus HIGH TECH
“Au moment de l’explosion de la réalité virtuelle et du cinéma en relief. Au moment où
l’on pense que le mensonge fait foi, où l’on s’accommode des faux semblants, des
faux seins et des fausses victoires à coup de faux jeton. Au moment où le quotidien
s’est viralisé dans Second Life et où la vraie vie des vrais gens glisse dans la Ferme
aux célébrités, la grande loi de l’alternance voit apparaître un phénomène de
résistance. C’est en effet le grand retour de la vérité et de la simplicité. Après le slow
food, voici maintenant la slow tech : la machinerie vient faire bugger la 3D, le
déguisement fait la nique au character design. On revendique l’idiotie et la futilité, le
pas grand’ chose et le presque rien. On assiste à une envolée de matières, de jets et
de jus, de ballons et de danse. La performance remplace le blue screen, Géo-
trouvetout détrône l’animateur 3D et le chef déco revient sur le devant de la scène.
L’époque ne veut plus d’interface, c’est le come-back de l’action directe. Florilège.”
Charlotte Leouzon 2010
Dixie Trixi made it in to the Augmented Reality selection.
The screening was a big success – the “hard to impress” Bohemian crowed loved it!
WMIF Festival – Kompost Screening!
February 28th, 2010about the festival: “The World Music and Independent Film Festival is mixture of fine art rolled into one. It is a unique blend of music and film showing all aspects of art.”
Kompost’s award winning Music Video for Krussia will be screened at the WMIF Festival!
for more information visit: http://wmiff.com/